Google Flow Image-To-Video Workflow 100+ Prompt CODES BELOW -

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Google FlowImage-To-Video Workflow 100+ Prompt

Google Flow Image-to-Video Workflow | 109 Camera, Motion & Effect Codes

No.	Code	Description
1	/zoom	Changes lens magnification to reframe the subject without moving the camera.
2	/zoomout	Pulls the view wider so more of the setting becomes visible.
3	/zoomin	Pushes the view tighter so the subject fills more of the frame.
4	/dolly	Physically moves the camera through the scene for natural depth and parallax.
5	/dollyin	Moves the camera closer to the subject for a stronger, more intimate view.
6	/dollyout	Moves the camera away to reveal context and make the subject feel smaller.
7	/orbit	Arcs the camera around the subject while keeping it as the visual anchor.
8	/orbit360	Circles the subject through a complete 360-degree camera move.
9	/pan	Rotates the camera horizontally to scan left or right across the scene.
10	/tilt	Rotates the camera vertically to look upward or downward.
11	/truck	Slides the camera sideways while keeping its viewing direction consistent.
12	/pedestal	Raises or lowers the whole camera without tilting the lens.
13	/crane	Sweeps the camera vertically through a broad, cinematic path.
14	/drone	Creates a smooth airborne shot with an elevated perspective.
15	/dronefly	Flies the camera over, past, or through the environment.
16	/droneorbit	Performs a wide aerial circle around the subject or location.
17	/aerial	Shows the scene from high above as a large-scale establishing view.
18	/fpv	Moves through the scene as an immersive, fast first-person flight.
19	/fpvdrone	Uses agile first-person drone motion through tight spaces and turns.
20	/tracking	Matches the subject’s movement so it stays framed while traveling.
21	/follow	Trails behind or beside the moving subject as it advances.
22	/handheld	Adds small organic camera movements for a human, documentary feel.
23	/steadicam	Glides smoothly with the subject while keeping walking motion controlled.
24	/slowmo	Slows the action to emphasize detail, impact, or emotion.
25	/timelapse	Compresses a long event so changes happen quickly on screen.
26	/hyperlapse	Combines time compression with substantial camera travel through space.
27	/speedramp	Shifts between slow and fast motion during the same shot.
28	/motionblur	Adds directional blur to communicate speed and rapid movement.
29	/shakycam	Adds forceful instability to create tension, urgency, or chaos.
30	/pov	Shows the scene from the viewpoint of a person, object, or creature.
31	/firstperson	Places the viewer inside the character’s direct visual perspective.
32	/thirdperson	Shows the character externally while the camera observes nearby.
33	/closeup	Frames the face, product, or detail tightly for emphasis.
34	/wide	Uses a broad frame that shows the subject and surrounding environment.
35	/macro	Reveals extremely small textures and details at close range.
36	/rackfocus	Snaps focus from one depth plane to another within the shot.
37	/focuspull	Gradually shifts sharp focus between foreground and background subjects.
38	/whip	Moves the camera in a sudden swish with strong directional blur.
39	/whip-pan	Executes an extremely fast horizontal pan, often useful for transitions.
40	/spin	Spins the camera rapidly for energetic circular motion.
41	/rotation	Rotates the frame around its viewing axis in a controlled roll.
42	/bullet-time	Makes action appear frozen or ultra-slow while the camera moves around it.
43	/freeze	Stops visible motion on a chosen instant for dramatic emphasis.
44	/loop	Ends the shot so it can flow seamlessly back into its beginning.
45	/reverse	Plays the action backward, returning objects or motion to an earlier state.
46	/morph	Smoothly transforms one subject, object, or scene into another.
47	/transition	Creates a deliberate visual change from one shot or state to another.
48	/glitch	Adds digital distortion, signal breaks, and electronic artifacts.
49	/cinematic	Applies polished film lighting, composition, depth, and controlled motion.
50	/push in	Moves closer with a deliberate forward camera move that builds attention.
51	/pull back	Retreats from the subject to reveal a wider environment or new context.
52	/snap zoom	Jumps rapidly to a tighter or wider focal length for sudden emphasis.
53	/crash zoom	Performs an aggressive high-speed zoom toward a key detail.
54	/vertigo effect	Dollies and zooms in opposite directions so perspective visibly warps.
55	/dolly zoom	Keeps subject size similar while the background stretches or compresses.
56	/arc left	Moves in a curved path around the subject toward the left.
57	/arc right	Moves in a curved path around the subject toward the right.
58	/pan left	Turns the camera smoothly toward the left side of the scene.
59	/pan right	Turns the camera smoothly toward the right side of the scene.
60	/tilt up	Tilts from a lower area upward to reveal height or a new subject.
61	/tilt down	Tilts from a higher area downward to reveal the ground or a detail.
62	/truck left	Slides the camera laterally to the left while maintaining its angle.
63	/truck right	Slides the camera laterally to the right while maintaining its angle.
64	/pedestal up	Raises the entire camera vertically without changing its tilt.
65	/pedestal down	Lowers the entire camera vertically without changing its tilt.
66	/crane up	Sweeps upward in a large, graceful reveal of the scene.
67	/crane down	Descends from a high view toward the subject or ground.
68	/boom shot	Moves the camera vertically on a boom for controlled height changes.
69	/jib shot	Creates a smooth rising, falling, or arcing move on a short crane.
70	/overhead	Places the camera directly above the action looking straight down.
71	/top down	Presents the scene as a flat overhead composition from above.
72	/low angle	Looks upward from below, making the subject feel powerful or imposing.
73	/high angle	Looks downward from above, making the subject feel smaller or exposed.
74	/dutch angle	Tilts the horizon diagonally to create imbalance or tension.
75	/worms eye	Views the subject from ground level with an extreme upward angle.
76	/birds eye	Shows the scene from a very high viewpoint with map-like clarity.
77	/over shoulder	Frames past one person’s shoulder toward another subject.
78	/insert shot	Cuts close to an important object, hand movement, or story detail.
79	/establishing shot	Introduces the full location and spatial context before closer action.
80	/medium shot	Frames the subject around the waist or chest for balanced context.
81	/full shot	Shows the subject’s full body from head to toe.
82	/extreme closeup	Fills the frame with one tiny feature such as an eye or button.
83	/ultra wide	Expands the field of view for dramatic space and strong perspective.
84	/telephoto	Compresses distance and isolates the subject with a narrow field of view.
85	/fisheye	Creates an extremely wide, curved perspective with visible edge distortion.
86	/anamorphic	Adds a widescreen film look with horizontal flare and oval bokeh.
87	/deep focus	Keeps foreground, middle ground, and background visibly sharp.
88	/shallow focus	Keeps the subject sharp while the background falls softly out of focus.
89	/soft focus	Gives highlights and edges a gentle, dreamy diffusion.
90	/focus shift	Redirects attention by moving sharpness from one subject to another.
91	/parallax	Moves camera layers at different speeds to create convincing spatial depth.
92	/foreground reveal	Moves past a close foreground object to uncover the main subject.
93	/wipe reveal	Lets an object cross the frame and uncover the next view behind it.
94	/occlusion reveal	Hides the subject briefly behind an object, then reveals it through motion.
95	/speed zoom	Combines a fast focal change with energetic pacing and blur.
96	/whip tilt	Tilts vertically at high speed to create a blurred upward or downward transition.
97	/roll	Rolls the camera around the lens axis so the horizon rotates.
98	/spiral orbit	Circles the subject while rising or falling in a spiral path.
99	/crab move	Travels sideways parallel to the subject, keeping a consistent distance.
100	/slider move	Glides a short distance along a straight track for subtle parallax.
101	/gimbal follow	Follows the subject with smooth stabilized motion through the scene.
102	/bodycam	Simulates a camera attached to a moving person’s chest or body.
103	/helmet cam	Shows an action-focused viewpoint fixed to the wearer’s head.
104	/dashcam	Uses a fixed forward-facing view from inside or on a vehicle.
105	/locked off	Keeps the camera completely fixed while action happens inside the frame.
106	/static shot	Uses an unmoving composition with no pan, tilt, zoom, or travel.
107	/one take	Presents the action as one continuous shot without visible cuts.
108	/match cut	Transitions by matching similar shapes, motion, or composition across shots.
109	/cross dissolve	Blends one shot gradually into the next with a soft overlap.

Google Flow Image-To-Video Workflow 100+ Prompt CODES BELOW

Google Flow Image-to-Video Workflow | 109 Camera, Motion & Effect Codes

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